Everybody can sing, as long as you can hum up or down a few notes in your range you can
Chicago – When Your Good To Mama
Musical Theatre | |
Chicago the Musical is based on the reports of real-life criminals and their crimes by Maurine Dallas Watkins in Chicago that was first staged in 1975. Matron “Moma” Morton ruled the jail by bribery, corruption and a lot of greed. She is a formidable friend and fierce enemy to have who demands respect and Favours from everyone she comes across. | |
Song | Music & Lyrics |
When Your Good to Mama | Composer John Kander, Lyricist Fred Ebb & playwrights Bob Fosse & Fred Ebb |
Vocal Technical Traits | Vocal Stylistic Traits |
Bright/forward tone Use of accent Appropriate application of mix, cry, belt, Smooth Transition between registers Tone manipulation to create different voices for multiple characters, Obvious / exaggerated vibrato, Belt / Sustained Notes in Belt Clear Diction Bright Tone Conversational Spoken word | Performance & Singing Energetic Feel Emotional Delivery Commitment to character Spoken Libretto (if applicable), Energetic and/or dramatic delivery, Wide Melodic Range Wide Dynamic Range Physicality Wide use of vocal registers Varied vocal fold closure |
Other Songs in this Genre | |
She used to be mine from Sara Bareilles’ Waitress The winner takes is all from Abbas’ Mama Mia There are worse things I could do from the film & musical Grease |